Random bullets of OMFG you’ve got to be kidding me

It’s almost the end of the semester here.  I’m knee-deep, soon to be hip-deep, in grading.  Wheeeeeeeee!

  • I’m collaborating on a grant proposal. I recently took the lead on a small but significant part of the project. An organization with whom I thought it would make sense to collaborate just quoted me a price tag for their participation that is, oh, 9 to 15 times what I expected it to be. And these are people with whom I genuinely wanted to collaborate, in part to establish a long-term relationship that would be beneficial to us all. FML.
  • Fortunately, I’ve found similar organizations that are willing to step into that breach, and for 1/3 the cost of what I expected to pay.  Yay!
  • My students are finishing up their 40-person group project, and I’m concluding this semester’s students-with-iPads experiment.  I’ll have more to say about that, I’m sure, when I see the final product.
  • The final product is going to require a bunch of technical work from me. It will test the limits of my WordPress knowledge, I suspect, but the PHP and CSS that don’t kill me my site only make me stronger more likely not to mess it all up in exactly the same way next time.
  • I also had an honest-to-goodness research question, with human subjects approval and everything, related to the mobile learning experiment this semester.  More on that this summer, once I tally students’ responses to the surveys and card sorts.
  • I remember there was a time when I was desperate for journal article ideas. Now I have more than I can write. It’s not a bad problem to have.
  • I had two digital history interns this semester, and the work they’ve done has been really helpful to me and fun and useful for them.  I have a little bit of summer money to throw their way, too, so they can continue with the project.
  • I learned today from a reputable source that a key administrator thinks my plan to fully integrate digital humanities training into our public history M.A. program is solely a ploy to put “toys” (iPads) into faculty hands. Methinks a conversation is in order.
  • I just had a really nice invitation extended to me from another key administrator. It’s nice to know my work with technology is being recognized around here.
  • I’ve also had lots of warm fuzzies from students lately, in that way that only students can give compliments–you know, along the lines of “I fucking hate my other classes this semester. I wish I had you for all my classes because I enjoy our readings and discussions so much!”
  • Today I signed off on an art student’s senior exhibition pieces.  She did an awesome job, and she even referenced taxidermy.  (She put me on her committee because we bonded over our fascination with human hair ornaments and taxidermy on the first day of my Women in the American West class this semester.)  It was fun, too, to be on a committee with three art professors.
  • In other news: sugar cravings are hard.  I think I’ll be happier when the summer fruit arrives.
  • That said, 11.5 days into my veganism, I’m not really missing dairy.  I suspect I’ll go 30 days without refined sugar or artificial sugar substitutes, and then let myself have one treat each week.  The vegan thing will likely last longer, though I may be a fair-weather vegan; I have a soft spot, for example, for parmesan cheese on pasta, and for buttercream cake frosting.  (If you’re a vegan who has a fabulous substitute for such things, let me know.)
  • I was doing this vegan and sugar thing to see how it would make me feel.  A nice side effect? I’ve lost 9 pounds over the past week and a half.
  • Tonight I had a pretty damn brilliant idea for an infographic/stunning visual image. It’s good that I’m married to a graphic artist.  I hope we can bring the idea to fruition.
  • I’m looking forward to summer.  I have too many projects, and I need to try to remember to relax and enjoy my time with the boy.

So, more good than bad.  Yay.

RBOC, that-time-of-the-semester, highly parenthetical edition

  • Good god—it’s been more than two months since I last blogged.
  • It’s that time of the semester. Paper deadlines and exams swoop down upon undergraduates. Students cry in my office and, quietly, at the back of my classroom—but not about the course. Even the usually-stoic-in-class veterans are teetering. One student veteran recently pointed out that his classmate, also a veteran, is much more, er, complicated than he is, though the latter student had only been to one war, and the former had been in two. (These are not UC Davis students, I am constantly reminded.)
  • I, too, have deadlines galore. Maybe I need to have a good cry in my office.  I suspect I’m teetering and haven’t yet recognized it.  (I look around the unbelievable mess of my home office: yep, definitely teetering.)
  • I decided, amidst all this deadlining, to give up sugar.  (Those of you who have ever had a meal with me know to look out the window for pigs on the wing.)
  • And then I thought, hell, why not give up dairy and eggs, too?
  • It’s only day two of those experiments, but I already feel better.  And for the hundredth time I cite the Seamus Heaney line: “You are fasted now, lightheaded, dangerous”—a great time to blog.
  • My kindergartener is so awesome.  And so is his dad.  In fact, I suspect my kid is awesome in large part due to his dad.
  • Fang’s fiftieth birthday is on Friday. How the hell am I married to a 50-year-old man? (And why do I look closer in age to 50 than Fang does?  I must investigate the attic for a portrait.)
  • Mostly I’m feeling overwhelmed with the little things at work.  So many little things! But summer is coming, and the little things will, because they must, go poof!
  • Big things, not so much with the poofing.  I wrote a proposal to Academic Technologies to make our public history master’s degree the university’s “mobile learning” program, and (to, I think, the great disbelief of my colleagues) our department won that CFP. That project will come home to roost in a big way this summer.
  • Our interim chair, who is literally counting down the days to the end of his year in that position, yesterday asked me if I was director of our public history program. Um, no. Regardless, he assigned me to speak as the director of said program when our accreditation visitors arrive next week. “Director” comes with more money, yes?
  • I’m very much in absorption mode, an intellectual sponge. Reading, thinking, reading. Downloading articles. Jotting down notes. And then—miracle of miracles—messing around the edges of articles that need substantial revision.  This is usually a sign that Big Writing is on the horizon. That’s good.  Big Writing must get done.

How are things with you, dear readers?

All manifestoed out, part I

I was just reading about how young Assistant Professor Newt Gingrich was booted from his History department and dumped unceremoniously on Geography because he was thinking too much about the future for a professor of history.  I fear I may be coming across as a bit Gingrinchy this week, as I just realized it’s only Wednesday and I’ve already written three mini-rants about the future directions of the department and university.*

I’m going to share versions of them here, as each really raises more questions than it answers, and I know my wise and worldly readers may have some wisdom to share in the comments.

Rant the first: On teaching and learning with technology

A senior colleague said The Powers That Be were looking to completely remake the university’s ways of teaching undergraduates within six years, and that this revolution would be brought to us by online courses delivered (I suspect) through Everyone’s Favorite Learning Management System. Online courses, it was suggested, would automagically improve the university’s ridiculously dismal graduation rates.

I couldn’t help but put on my Critical Thinking Cap** and ask these questions:

1. Does the data show whether taking online courses makes it easier for the demographic of students who enroll at Our Fair University to graduate in 4 to 6 years?
2. What are the completion rates of online courses vs. face-to-face courses vs. hybrid courses?
3. Is there a tipping point at which online courses become detrimental to a student’s ability to graduate?  So, for example, I know there are students who have overwhelmingly taken face-to-face courses, but who pursue their last course or two online in order to graduate. The availability of such courses, I imagine, increases the graduation rate for some students. There are also students who would prefer to enroll in a course of study that is predominantly online. Are students who take two courses online more or less likely to graduate than students who take eight or ten courses online?  How do the statistics at Our Fair University  stack up against other Idaho institutions and against peer institutions outside our state?  How does Our Fair University plan to identify those students who would genuinely benefit from online learning–and separate them from students who would likely abandon their courses and force the university’s graduation rate to decline further?
4. Are employers more or less likely to hire graduates of online or predominantly online programs?  Does willingness or hesitation to hire such graduates vary by discipline, geographical region, and/or the institution issuing the degree?
5. As a new faculty member, I’m also confused about the differing narratives about teaching and learning I’m hearing from various offices at Our Fair U. On the one hand, we’re told by Office 1 and Office 2 that we should be “guides on the side” rather than “sages on the stage.” On the other hand, I’m encouraged by Office 3 to take advantage of lecture capture technologies. Such audio capture technologies can’t record the discussions generated by students when I’m being a “guide on the side.” (Nor, by the way, can the videos generated by Echo360 be easily captioned or transcribed for deaf students or described for blind students.) Similarly, I’m hearing how easy and beneficial it is to place “content” into learning “management” systems like Blackboard. A “guide on the side,” however, wouldn’t view students as vessels into whom content should be poured/downloaded, nor would she see student learning as something that should be “managed” with technology. I’ve been involved in teaching with technology, as well as teaching faculty to use technology in their teaching of undergraduates, for many years, so I want to emphasize that this issue isn’t merely rhetorical dissonance between campus offices. There seems to be a deep and profound divide between what we’re told are best pedagogical practices and the technology we’re being provided to help students learn. The university needs to figure this out before we advance further.
Honestly, I’m agnostic about online learning.  I think online learning can be done well, but that it is too often (usually?) done poorly.  If Our Fair University provided instructors with software like MediaWiki, WordPress, VoiceThread, and game development platforms rather than Blackboard and Echo360, I might be tempted to develop online courses. As it is, I don’t feel the university is currently providing me with the tools I’d need to meet the university’s own set of best practices in undergraduate pedagogy.
Academic readers, how are your institutions addressing these issues? Is anyone actually crunching the data to determine the relationship between online learning and graduation rates at regional public universities (or elsewhere, for that matter)?

*To be fair, all three were solicited, rather than imposed in a fit of manic delusion.

**Yes, humanists–even those of us with cultural studies degrees–do have access to such things.

Trying not to freak out: spring course edition

What do you get when you mix iPads, old taxidermy, hair ornaments, and a near-complete disregard for one’s own pedagogical tradition?

My spring course, History 346: Women in the American West.

It’s the first time I’ve taught the course, and I’ve decided to throw caution to the wind.

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40 students, upper-division History, cross-listed with Gender Studies. Books by and about women.

In

Squatters on Mexican land grants in California. Women Zoot suiters. Manzanar. Dorothea Lange. A hundred years of Chinese Americans. Native American activism. Museum artifacts, some made from human hair. Also probably some taxidermy. Plus: an iPad2 on loan to each student. Several one-page reflection papers. One giant group project.

Out

Covered wagons, bonneted pioneers, Sacajawea, Oregon Trail, Donner party.  Individually authored, end-of-course research essays.

The project I suspect makes some of my colleagues think I’m not playing with a full deck

My students are going to construct an online experience (I’m looking for a better word–exhibit doesn’t quite do it for me) about the history of Idaho women’s amateur arts and crafts. They’ll be drawing on frequently uninterpreted objects from the collection of the state historical society: needlework, ornaments made from human hair, quilting, beading, plein air painting, taxidermy, sewing (clothing), and whatever else we find in storage or on exhibit. They’ll have to research and document these artifacts, take and edit photos, correspond with experts, write essays about women’s participation in each kind of arts and craft practice, determine on what platform they’d like to build this project (I’m guessing WordPress or Omeka, but maybe they’ll surprise me), break down the work across several smaller groups of students, create a timeline to ensure the exhibit is complete, build the damn thing, and put in place quality assurance protocols.

Each student is being loaned an iPad2 for the semester by the university’s academic technologies office, under the auspices of its Mobile Learning Scholars program.  This is my second year as an m-learning scholar.

But basically, yeah, I’m giving the students shiny new devices and asking them to engage in a 40-person, high-stakes group project.

Hey look—I have research questions

1. In what ways does the student practice and presentation of western U.S. women’s history—often represented in its raw form through sometimes difficult-to-interpret everyday objects and letters rather than through political and business documents—benefit from an approach that emphasizes collaborative research and interpretation; technology that allows for a media-rich interpretive experience (including, for example, a closer, relatively three-dimensional examination of artifacts than is afforded by a museum exhibit); and an engagement with potential audience members through social media from the moment of a project’s conception?

2. How does the use of tablet computers influence the depth and breadth of student collaborations and the quality of the work resulting from these collaborations?

Inspirations

  • Frustration with how I’ve evaluated student work in the past (so much grading, and What Really Matters gets thrown into question)—and solutions brought to me in part by thinking about the fox in the video game.
  • Martha Burtis and Jim Groom of ds106 fame. This project is far less ambitious and considerably less wacky than their grand and highly successful experiments, but it has its creative roots and insistence on student responsibility and ownership of learning technologies in the experiments going on at the University of Mary Washington these last several years.
  • Also: Alan Levine‘s insistence on constantly creating, iterating, and sharing.

Anticipated challenges

  • Persuading students not to jump ship or panic when I tell them a good deal of their grade is based on the Mother Of All Group Work.
  • Convincing students, once and for all, not to form their smaller groups with the people who happen to be sitting next to them that day.  (Will they never learn, despite my repeated warnings?)
  • Showing students that there are indeed connections between the readings and the Mother Of All Group Work.
  • Getting students to be reflective about women’s history, public history, and their anxieties about creating stuff with technology—without sounding all touchy-feely.  (“Get in touch with your inner PHP learner. . . What is she afraid of? What can you do to help her?”)
  • Not overwhelming the museum’s fabulous curatorial registrar, who is also one of my grad students, and who is also trying to mount her own exhibit and graduate this spring.
  • Getting IRB approval to study my students’ collaborations and publish the results.  (In progress. . . The paperwork is a headache and a half, as it forces me to be all social-sciencey in a way with which I’m not comfortable.)

I’m at once excited about the course possibilities and dreading finding out the multiple small ways in which it will inevitably go off the rails.  Wheeeeeee!

Assuming the semester doesn’t get too busy and stressful (ha!), I’ll blog about the course here at The Clutter Museum.

What are you looking forward to (or dreading) about your projects or classes over the next several months?

Another memelicious monologue

Historiann has thrown down the gauntlet in response to Tony Grafton’s round-up of a spate of recent books about higher ed.

Near the end of his review, Grafton muses,

Best of all would be for enterprising publishers to find curious writers and have them describe some universities and colleges, in detail, with all their defects. The polemical books, even those that have some substance, end up slinging mud—which, as Huckleberry Finn pointed out to Tom Sawyer, isn’t argument—more often than laying out the evidence. The empirical studies, with a very few exceptions, are deliberately cast in such general terms, and written in such a value- and metaphor-free style, that they won’t reach anyone without a professional interest. Neither sort would give an intelligent outsider—say, a parent or student, a regent or a trustee—a vivid picture of a year’s life and work at a college or university, as it is experienced by all parties; much less a lucid explanation of how finance and pedagogy, bad intentions and good execution shape one another in the academic world.

Historiann suggests that

The other bloggers and regular commenters here study and/or teach at a variety of institutions around the world–so let’s offer our own detailed descriptions of our universities and what the problems look like from our vantage.

. . .and she was kind enough to include me among the bloggers she tagged for this meme.  So here goes.

(Check out the comments on Historiann’s post for links to others who have posted on this topic this week.)

Caveats

I must admit I haven’t read any of the books Grafton reviews, though certainly I have heard of most of them.  I don’t read them because too often I’m unduly angered by books in this genre. It’s akin to being a duck and reading books about duck hunting during duck season.

Another caveat: I’m still junior faculty at Boise State; this is my second year on the tenure track in the history department there.  I’m getting a sense of the university and its issues, but my perspective is necessarily the narrow one of a newcomer to the scene. Plus, I can’t help but compare it to the institution where I spent 10 years, first as a graduate student, then briefly as an adjunct and then as professional staff, UC Davis.

Finally, I’m not known for having much of a filter; I tend to say what’s on my mind.  I like to think that characteristic lends me the ability to “speak truth to power,” but more realistically, it’s just me being naïve and not knowing when I’m putting my foot in my mouth. Who knows, then, what kinds of–let’s be generous and call them fans–this blog post will win me locally?

In this post, I’m looking at students, my workload, and three big issues that concern me.

Let’s begin with the students

Here’s the difference between UC Davis students and Boise State students, in a nutshell:

UC Davis student, in my office, talking to me about her D paper.  She’s 19 years old and taking my course to satisfy a general ed requirement.  “But I’ve always been an ‘A’ student!  Certainly there’s been some mistake.  Can you look at my paper again to see if you missed something?”

Boise State student, in my office, talking to me about his D paper. He’s 28 years old and taking my course to satisfy a general ed requirement. “Well, I’ve fucked up again, haven’t I? How can I do better next time?”  He listens to my suggestions.  “That’s really helpful.  I might not get to this until next week; I have sole responsibility for the kids right now because my wife has to spend several weekends in jail.”

My sense is that our students, and particularly our undergrads, are predominantly working class. Last I checked, our four-year graduation rate is 8 percent, and the six-year is 26 percent, but of course that doesn’t say much about reality, as many of our students are transfers from elsewhere, and they don’t figure into graduation rates.*  Many of my students are my age (36) or older.  This semester, I have students born between 1957 and 1993, which, as you can imagine, makes for interesting discussions.  Many are veterans.  Many have fought with addiction in various forms.  About one-third are Mormon.  The overwhelming majority are white.  Many are single parents. At least three of my students have initiated divorces this semester; I can’t remember having any married undergrads at Davis.

My workload

I came in at a time when everyone in the department has a 2-2 course load, and we’re all nervous that we’ll have to go back to a 3-3 (without, of course, the institution changing its research and service expectations).  This year and for the forseeable future, however, I’m on a 2-1, because I’m the internship coordinator for the department. This job is supposed to come with a course release each semester, but it would be foolish of me to accept a 1-1 load when I’m wanting to seem like A Team Player On The Tenure Track,** so I negotiated a 2-1 plus a stipend.  When I first came on board, I also negotiated a couple of course releases in my first couple years, but I won’t be taking those, as a 1-0 load doesn’t look very good, either.

It looks as if my pattern of courses will become one survey and one upper-division course in the fall, totaling about 80-90 students, and then either one upper-division undergraduate course (possibly cross-listed for grad students) or a graduate course in the spring (40 students if undergrad, 15 students if grad).  I can make those upper-division courses pretty much anything I want. Thus far that’s meant a public history and a women’s history course; I’ve proposed a digital history course for next fall.

All in all, it’s a fine teaching load.  I have no complaints, except maybe when I’m grading papers.

The scholarship requirements for tenure are modest, with three decent journal articles and around five lesser pieces (e.g. book reviews).***

As a public historian and women’s historian, I’m finding service is taking care of itself both on and off campus. Most of us in history carry a pretty significant service commitment.

Let’s lay it all out on the table, shall we?  Aside from my small stipend for internship coordination, I’m paid $49,000 a year, and yes, I negotiated up to that amount. It’s a significant decrease from my staff salary at UC Davis, and I don’t have much hope of it increasing until tenure, when it should rise to just about what I was making in Davis.  (And no, we’re not finding it cheaper to live in Idaho than California, aside from the cost of our rent.)

Big issues

Boise State is definitely feeling its growing pains, so it’s facing plenty of challenges, not the least of which is that it still receives less funding from the state than does the University of Idaho–last year it was widely advertised around here that BSU receives 2/3 per student what UI does–even though Boise State is now the most selective public institution in Idaho.  Educational institutions in Idaho aren’t really rolling in money to begin with. That said, here are three big issues that I think will impact my time here at Boise State:

A new focus on STEM education and research (and a misunderstanding of what the humanities are and do)

The university is jonesing for STEM money and STEM graduates. I mean, all the big universities are doing it, right?  I understand the appeal of STEM–there’s a good deal of satisfaction and positive public relations to be had in announcing your science professor has just secured a grant worth $250,000 or more. It’s also nice to bring the university royalties from intellectual property that’s been commercialized through technology transfer. That said, science researchers at most American universities rarely recoup their start-up costs through grants, so the costs of scientific research tend to be added to undergraduate tuition–and they definitely don’t recoup those costs if faculty leave for elsewhere within a decade. Despite these figures, during my time at UC Davis I heard more than one professor opine the indirect costs paid to the university from science grants are life support for the humanities.

The misguided self-importance of a few scientists aside, administrators also are misinterpreting the relative economic value to the university of the sciences and the humanities. At least one person interviewing for a high-profile position here has announced that all departments should pay for themselves–by which the prospective bigwig meant with income from more than tuition. I know he isn’t alone in this belief (universities should be run like businesses!), and the implication always seems to be that arts and humanities programs should be the first to fall under the budget ax because we’re not producing patents and drawing mega-grants.  Yet the humanities, with our growing class sizes, our many general education courses, and our lower faculty salaries, are incredibly cost-efficient–especially when we consider that we’re educating a lot of the K-12 teachers who accept ridiculously low salaries. (How low? Last year, the salary for a new teacher in Idaho dropped below $28,000, and the average salary remains $41,000.)

Of course, my colleagues and I have a nefarious (and apparently quite workable) plan to snag an NSF grant or two, so that the indirect costs will help pay for some scientist’s lab equipment.  (My start-up costs? $3,000 plus an iMac.)

There also hasn’t yet, as far as I can tell, been any kind of serious reflection here by people outside the humanities as to how the arts and humanities complement STEM education and research.

An attempt to become a “metropolitan research university of distinction”

This drive toward “distinction” is marked by greater investment in STEM, but also more Ph.D. programs and a greater rate of faculty publication.  I’m all for publishing, but it’s difficult in light of the next issue I’ll discuss.  (And can I just say it’s hard for us long-form historians to compete on publication quantity with criminal justice or political science types who apparently publish many, many short pieces?)

A desire to scale up the number of students we teach, and the speed with which they graduate

I’m not sure why our administration wants to bring in more students, as we’re having a hard enough time graduating the students we already have.  Perhaps it’s because if we’re investing heavily in the sciences, we’re going to need to recoup the costs somewhere–and where better than by making arts and humanities faculty teach more classes, each with a significantly greater number of students?

Because so many of our students are working part- or full-time, many of us would like to provide them with as flexible a schedule as possible. Unfortunately, for administrators, this flexibility too often means offering classes online.  I say “unfortunately” because, although I am often an advocate for the thoughtful use of technology in teaching and learning, the university has made a couple of decisions that make it clear

  • online classes are about faculty relinquishing control of their “content” and allowing for the greater adjunctification of the university;
  • the university has a narrow view of online teaching as content to be acquired by students;
  • the university is not really invested in best practices in online learning.

This blog post is already too long, so I’m going to just touch briefly on each of these points.

First, a colleague of mine has been teaching a section of one of her courses online for some time. When she first signed on teach online, she was told any course content she created would be her intellectual property.  However, the university’s latest version of its statement on online instruction intellectual property rights (PDF) indicates quite the opposite:

A course (as a designed collection of assembled and authored material) produced under University sponsorship, where the University provides the specific authorization or supervision for the preparation of the course, is a work made for hire (as defined by law and BSU policy). A course specially ordered or commissioned by the University and for which the University has agreed to specially compensate or provide other support (such as release time) to the creator(s) is a commissioned work, (as defined by BSU policy). In either case, the copyright to the course will be held and exercised by the university.

I suppose that means my colleague’s course, which includes videos of her lectures, can now be handed over to an adjunct to teach, yes?  Who cares, as my colleague pointed out, that according to the AAUP’s counsel, it’s unlikely that classes crafted by professors can be considered works for hire?

Second, in that same IP statement, the university makes clear what, in its eyes, constitutes an online course: “An online course implemented in the Blackboard course-management system at Boise State University, or similar educational technologies, is an organized collection of articles, notes, media, assignments, online communications, tests, and similar materials.” Basically, then, an online course is a bunch of stuff that can be collected and passed on to someone else.  It is not, you will note, collaborative or individual student work that showcases critical and creative thinking. It is something to be packaged and delivered–likely, as I noted above, not by the professor who created it.

Third, the platform the university provides and assumes faculty will use, Blackboard, does not provide adequate tools or configuration options to allow for best practices in student learning in the humanities.  If I’m going to teach online, you can bet it will be more ds106, less enterprise learning management (ick!) system.

Whew!

That was quite the monologue, and yet it barely scratches the surface of my last 16 months or so of experience at Boise State.

Anyone who wants to participate in this meme is welcome to do so–either leave a trackback at Historiann’s, or a link in the comments to her post.

I especially invite Colleague Who Sometimes Reads This Blog (and signs hir comments thus) to add hir perspective, either here in the comments or in a pseudonymous! guest! post!  Alternatively: Get. a. blog.  :)

* For a nice rant about graduation rates and how they (don’t) work, see Dr. Crazy’s post for this meme; simply search her long post for the phrase “motherfucking graduation rates.”

* Hey, that’s A TPOTTT–a teapot!  Sing it with me, tenure-track folks: I’m a little teapot. . .

*** I’m totally falling down on pursuing book reviews and encyclopedia articles. If you’re a journal or encyclopedia editor who needs reviews/entries in public history, women in U.S. science, women in California history, museum studies, or digital humanities, please do be in touch.

On Lecture Capture

This past week I received an e-mail alerting me that, because I teach in a particular classroom, I can have access to lecture capture this fall.  The e-mail, from the campus’s tech folks, reported that of students with access to this technology, 70 percent watched at least one capture per week, and 78 percent of students said they would like more classes to use lecture capture.  The lectures get posted to iTunesU and also to Blackboard.

Those of you who know me well know that I have been an evangelist for the use of certain kinds of technology in higher ed–particularly blogs, wikis, c0llaborative mapping, and certain uses of mobile devices–but I’m deeply uneasy with lecture capture technology because I think it’s a step backward from the best uses of technology for instruction.*

Lecturing and lecture capture are by their nature unidirectional. Yes, both lecturing and lecture capture could be made interactive–lecturing by peppering the class period with questions and activities, and lecture capture by adding some kind of commenting or discussion function wherever the audio and video are posted.  I have yet to see anyone use institutionally sponsored lecture capture in this way.

The lectures can be shared most easily within corporate repositories–Blackboard and iTunesU–rather than to open-source, not-for-profit educational repositories.  Yes, iTunesU has some fabulous stuff on it, but I’m not ready to share there.

It’s also too easy for the university to repurpose content in online courses that could be adjunctified. I’m not sure what the policy is at my current institution, but I signed away a lot of intellectual property rights at my last one.  In an age where people seem to think that education is just a matter of “delivering content” that translates into mad workplace skillz, I’m uneasy about providing the university with any multimedia content that could be aggregated into a enormous-enrollment course taught by a grossly underpaid and underinsured Ph.D.

There also may be a misunderstanding or miscommunication on the part of tech folks and their student workers that faculty should be driving this bus. A colleague was teaching in a classroom where a student was in charge of running the technology. She was going to review answers to a quiz they had taken in class, and she asked the student worker to turn off the lecture capture for that time period.  The student refused, saying she’d need to check with her boss.  Because the lectures can be posted automatically, the instructor wasn’t certain she’d have the opportunity to edit out that portion of the class (nor should she have to, I might add–the lecture capture should be at the instructor’s request).

There definitely was a gap in understanding between me and the technologist with whom I communicated about lecture capture. I asked if the system could capture students’ portions of class discussion, and I was told that the system captures only the instructor’s audio, and thus–and I’m quoting here–“we train faculty to REPEAT all questions before answering them, so that they are on the capture.”

This assumes, of course, that students–and not instructors–are asking the majority of the questions.  (It also assumes instructors can be “trained,” which made me LOL, since one of my previous job titles–one I don’t think I’ve ever admitted to–was actually “faculty technology trainer” and even then I knew going in that faculty are not easily housebroken.  This faculty member, I assure you, does not sit. lie down. roll over.)

Lecture capture is about delivering content

I do understand the utility of lecture capture.  As faculty are asked to teach increasingly larger courses, lecturing seems more “natural”–because how could one have a live conversation with 200+ students? (Trust me–it can be done!)  As more courses offer online sections, it’s efficient for faculty members to repurpose in-class lectures for their online students–and it ensures all students receive the same content.

But again, this entire form of course presentation is predicated on a belief that higher education is about acquiring content knowledge and not about encouraging critical or creative thinking.  See, in my Women and the West course I could in a lecture repeat and reinforce what my students have already read in some textbook about 19th-century women’s contributions to, for example, early business development in California (they ran boardinghouses during the Gold Rush–surprise!)–and then test students on that knowledge. . .

What were the three most common forms of women’s entrepreneurship in mid-nineteenth-century California?

. . .Or I could provide them with primary-source materials by, say, Theodosia Burr Shepherd and her daughter Myrtle Shepherd Francis–pioneers of horticultural entrepreneurship in California and cultivators of plants that students likely have growing in their neighbors’ yards or have seen at Home Depot**–and ask them larger historiographical questions.

  • Why might women have been early pioneers of California’s floricultural and horticultural industries?
  • What challenges do you think faced women entrepreneurs between 1865 and 1900?
  • Why, in “The Woman in Floral Culture,” does Shepherd suggest women’s clothing is the greatest encumbrance to their entrepreneurial success in floriculture? Based on your knowledge of the era, do you concur? Why or why not?
  • Why might have nineteenth-century California provided more fertile ground for women entrepreneurs (and scientists!) than states east of the Mississippi?
  • Why are early women entrepreneurs not better represented in today’s history textbooks, especially considering we live in an era that celebrates the entrepreneurial spirit?

The answers to those kinds of questions are unlikely to be cleanly and clearly articulated, either by me or by my students.  And lecture capture is, it seems, all about decisive articulation of disciplinary facts.  (And I so do not do disciplinary facts.)

Lecture capture wish list

I do occasionally “lecture” in five- to seven-minute chunks that students might find useful to revisit.  So. . . What would have to be in place for me to use lecture capture?  (Maybe some of these options exist, but I’m sure others do not.)

1.) Ways to record multiple, simultaneous small-group discussion by students–and a simple way for me to provide some kind of feedback on those discussions, perhaps using video or audio.  (The name of the lecture capture system–Echo360–would imply that technology exists to capture and play back all audio in the classroom, yes? Alas, not yet.)

2.) Ways to annotate the classroom-generated audio and video with text, so that if I wanted to share a link related to a certain moment in the video, I could.

3.) Fully accessible–the software should generate an automatic transcript that I can edit when I find transcription errors.

4.) Video and audio must be fully, and easily, editable by me.

5.) A setting that ensures only I, and no one else, can upload the videos.

6.) A choice of how open I’d like to make the videos–that is, I’d like to make them easy to upload to YouTube so that I can embed them on a (publicly accessible) class blog.  Other instructors would likely prefer Blackboard, but since I only use Blackboard to calculate grades (and I hope to use Excel for that in the future, but I’m innumerate, so I rely on an LMS) and share an occasional document, I don’t want any of my content uploaded to Blackboard.

What about you?

Have you found a satisfactory way to use lecture capture–one that is more about achieving your desired learning objectives rather than student convenience and efficiency of content delivery?  I’d love to hear about it. . .

* Granted, my unease with lecture capture is rooted in a deep distrust of lecturing as a teaching tool.  A select few do it well, and a select few students learn best from lectures–but after working as a teaching consultant for a few years, I observed that most people don’t lecture well, and most students retain next to nothing from the average lecture.

** Doubled, fluted, frilled, ruffled, and pinked petunias! Blue morning glory (Ipomoea ‘Heavenly Blue’)!  Eschscholzia californica ‘Golden West’!